“Power to the People”

Power to the People is a contemporary figurative work that draws from Cubism and Expressionism to explore the idea of voice, participation, and belonging. The solitary figure raises a hand in a gesture that can be read in several ways—as an oath, a vote, a declaration, or simply a request to be heard.

Rendered almost entirely in cool grays, blacks, and muted blues, the exaggerated geometry of the face and body gives the figure a sculptural, almost monumental presence. A single warm eye and rust-colored lips interrupt the restrained palette, bringing humanity and individuality into an otherwise austere composition.

The title references the opening words of the U.S. Constitution, but the painting deliberately leaves the figure’s identity and intentions unresolved. Rather than defining who “the people” are, the work asks the viewer to consider what it means to be counted among them—and what responsibilities and rights come with having a voice.

Power to The People
40” x 50”
Acrylic on Canvas
2026
Original Available
Not current available in prints.

Lucy’s Romance

nspired by Lucy in the Sky With Diamonds, Lucy’s Romance imagines the listener in a boat on a river, looking for the girl with the sun in her eyes. Bright, slightly psychedelic imagery blends figurative forms, Cubist influence and expressive color into a dreamlike world.

Lucy’s Romance
36”x48”
Acrylic on Canvas
Original Available for Sale

“Power to the People”

Power to the People is a contemporary figurative work that draws from Cubism and Expressionism to explore the idea of voice, participation, and belonging. The solitary figure raises a hand in a gesture that can be read in several ways—as an oath, a vote, a declaration, or simply a request to be heard.

Rendered almost entirely in cool grays, blacks, and muted blues, the exaggerated geometry of the face and body gives the figure a sculptural, almost monumental presence. A single warm eye and rust-colored lips interrupt the restrained palette, bringing humanity and individuality into an otherwise austere composition.

The title references the opening words of the U.S. Constitution, but the painting deliberately leaves the figure’s identity and intentions unresolved. Rather than defining who “the people” are, the work asks the viewer to consider what it means to be counted among them—and what responsibilities and rights come with having a voice.

Power to The People
40” x 50”
Acrylic on Canvas
2026